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 MAURY ALLEN
GOING BY THE BOOK


 VOICES
OF SUMMER

 

New book loaded with
great sportscaster tales

By MAURY ALLEN
of TheColumnists.com

One guy jumped off a Florida hotel roof into a swimming pool to show that he could. Another had a long running affair with the boss’s wife that wasn’t uncovered until he was almost killed by a car while crossing a street.

A third guy spent almost every game torturing a future Hall of Fame shortstop who had wandered into a broadcast booth and stayed 40 years.

These "guys" were baseball broadcasters Bob Prince, the drunken swimmer; Harry Caray, the brazen sexologist and Red Barber, the linguist who thought Phil Rizzuto should speak English as well as Barber did. Rizzuto never expected Barber to play shortstop as well as Phil did.

Curt Smith has captured the personalities and performances of all these guys and a hundred more in his charming study of summer time sounds in a book called, “Voices of Summer” (Carroll and Graf, $14.95) with a ranking of baseball’s 101 all-time best announcers.

I spent a lot of summers as a sportswriter traveling the country with these guys and always enjoyed sitting on airplanes, at breakfast corner nooks and in baseball dugouts listening to their broadcasting stories.

Smith collected hundreds of these humorous tales in his delightful book and also broke down their technical skills in rating the guys that bring the games to the homes, the shops, the cars, the beaches, the parks and the shopping centers of America.

My favorite announcer was Barber because he brought baseball to Brooklyn and that’s where I learned the game. It was from The CatBird seat, what Barber christened the broadcasting booth high above the playing field of historic Ebbets Field. We used to wish as kids that we too could hit an Old Goldie, the home run that would send a carton of Old Gold cigarettes (Old Gold was the team broadcast sponsor) down the screen protecting the fans around home plate.

A 16-year-old kid during World War II named Tommy Brown actually homered once and when the Old Gold carton came down the screen for his Old Goldie, the batboy, Charley Di Giovanni, nicknamed the Brow, who was older than Brown, grabbed the ciggies and ran them off into the dugout.

Barber only finished fifth in Smith’s book behind leader Vin Scully, trained by Barber and now enjoying his 55th year in the broadcasting baseball business for the Dodgers; Mel Allen, the Yankees guru; Ernie Harwell, a voice of the south who made it in New York and Detroit, and Jack Buck in St. Louis.

Jerry Coleman, the old Yankee second baseman who spent four decades as a broadcaster, didn’t make Smith’s list but was mentioned for his great call when he talked about a player lining a ball off the wall and “sliding into second with a standup double.”

Dizzy Dean’s famous line after grammatical criticism by teachers that a “Lot of people who ain’t saying ain’t, ain’t eatin’” gets mentioned as do the classic calls of so many home team, home town rooters hidden in the broadcast booth.

Smith does a notable job in recreating some of the great baseball moments via the calls such as the one that always sickens me, “The Giants win the pennant, the Giants win the pennant, the Giants win the pennant. Bobby Thomson hits into the lower deck of the left-field stands. The Giants win the pennant. And they’re going crazy. They are going crazy.”

Ralph Branca didn’t think much of the call.

Lindsey Nelson didn’t have much of a baseball background when he was teamed with former slugger Ralph Kiner and baseball enthusiast Bob Murphy as the Mets began play in 1962.

Nelson turned out to be a great baseball guy and a wonderful interviewer. His standups with Casey Stengel are always worth the price of admission in the Broadcasting Museum. He also told me my favorite broadcasting story.

Nelson was calling a big Ohio State-Michigan football game before his Mets days. Ohio State had a running back named Jerry Fuchs, pronounced fewkes, not to be confused with the famous four letter word of the same sounds.

“All week long the sports information director at OSU went over the pronunciation of the names. Every time he came to this guy Fuchs he emphasized the way the name was sounded, ‘Fewkes, Fewkes, Fewkes,’ he would say. The game started and I’m giving the starting line up before a hundred thousand people,” Nelson said.

“At right halfback, number 12, Johnny Brown, at left halfback, number 18, Danny Smith, at fullback, number 14, Jerry Fuchs, F…U…C….K…..S…You never heard a hundred thousand people roar so loudly,” said Nelson.

Phil Rizzuto may not have been a classic broadcaster but he had to be the sweetest guy to sit in a broadcast booth. No ego. No pretense. No agenda. Just good old Yankee stories, home stories and lots of laughs. No matter what happened he would utter “Holy Cow” at least twice a sentence.

One time a bunch of sportswriters and Yankee coaches piled into taxi cabs to see the first famous crossover porno movie called, “Deep Throat.” This was in Minneapolis and the movie theater was about 10 miles away.

“No way,” said Rizzuto, when asked to join us. “If my wife Cora found out I was wasting money seeing a movie like that she would kill me.”

Off the cabs went in the dark of the night.

We all sat scattered in the middle of this grungy theater outside of Minneapolis. The film began and 20 seconds into it there is a raunchy scene of oral sex by the famed Linda Lovelace.

From the very back of this out of the way, dark and dirty pornographic theater came the unmistaken familiar voice screaming, “Holy Cow.”

And they ask me why I loved covering baseball.

©2005 by Maury Allen. The Maury Allen caricature is ©2001 by Jim Hummel. The book cover reproduction is courtesy of Carrol and Graf. This column first posted on May 23, 2005.

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