
|

CORRIDOR of
NOIR |
DARK CORRIDORS
VOL. 3, No. 8 |
 |
GALLO
NOIR |
 |
GINA GALLO
Routine
Call
|
 |
They
could lock the guy up for domestic battery, but that
wouldn't change the basic problem at home. |
Officer
Lange tried to help
--and let his emotions loose
By
GINA GALLO
of TheColumnists.com
Sometimes you cant
help it. Your perspective shifts, a single person or incident
penetrates the game face youve taken years to perfect and--Christ,
you can feel them, almost get inside their heads--understand
for that one moment what its like to be them. For that
brief moment, youre not a cop, just another citizen of
the planet, another traveler on Lifes unholy path. A sensation
so startling you roll with it, just to prove youre still
human, still capable of feeling such things. Most times that
moment is fleeting, gone as quickly as it came. Out here thats
the best you can hope for: humanity in micro-servings.
The call that night was nothing unusual. Domestic
Disturbance--the usual Saturday night whiskey-talking,
ass-kicking lament that means loves flown out the window
when pain swaggers through the door. The usual he said/she said
drama seen in every variation of every kind of relationship.
This time, it was just past midnight--the witching hour for most
domestic battles.
It was the wife who called, frantic and screaming that shed
been beaten, she couldnt take it anymore, send the cops
immediately to lock her worthless husband up. No weapons on the
scene, she reported, unless you counted his fists, her frying
pan and several shattered beer bottles.
Officers Norcross and Lange were dispatched to answer the call.
Upon arrival, they observed the womans blackened eyes,
her swollen face, and the trashed apartment. One screaming baby
was in her arms while a whimpering toddler clung to her leg.
Beyond them, the husband slumped in a kitchen chair, not quite
sober enough to manage a convincing snarl.
This is my house, dammit! You got no business coming in
here. I pay the rent,
I got my rights.
His voice was more exhausted than menacing, the sound of a man
whod clearly
had enough. It wasnt just the booze, Lange observed. The
grim tableau of their tiny apartment told the story. This building
was steps away from the wrecking ball, another of the urban slums
where the hopeless and defeated cling to life. No heat circulated
through the drafty rooms in spite of the frigid night. There
was a newspaper on the table--the classified section with prospective
jobs carefully circled....and then crossed out. Judging by the
familys shabby outfits, the starvelings hollows in the
childrens faces, food and clothing were a luxury beyond
their reach.
The man watched them with eyes dulled by despair.
So I had a couple drinks. So what? Why she gotta start
screaming every time I walk through the door? She thinks its
so easy out there, let her go get a damn job!
So you waste our money getting drunk instead? What about
us? What about the babys medicine? The womans
screams scaled up to banshee shrieks.
Norcross and Lange had heard it all before a hundred times, maybe
a thousand.
Nothing unusual about it, not in this neighborhood. People without
jobs had a tough life. Whether economics or cutbacks or lay-offs--the
name didnt matter when the result was the same. Nobody
bothered to pretend the system was fair. How can you survive
without a job? A question with no answer that elicited one typical
response: get mad, get drunk, get nasty. Next stop was usually
jail, if she wanted to sign complaints. Otherwise, theyd
leave with a warning, and possibly, show up an hour later when
the battle was really over, to transport one or both to the hospital....or
the morgue.
But there was something about this scene that affected the cops.
The babys cheeks were red with fever, and each sob came
out in a congested hiccup. The toddler in her sodden diaper simply
trembled, watching the grim scenario. In a world gone crazy with
terrorism, panic and fear, here was a home-front situation that
begged for resolution. They understood the womans panicked
pleas, saw beyond the mans desperate bravado. These were
two people losing the battle, losing each other, losing their
family in the relentless undertow that claimed so many.
Norcross eyed his partner. They could lock the guy up for domestic
battery.
Shed be placated, but it wouldnt change the problem
or the circumstances--especially after he got back home. The
cycle of violence would continue, and those frightened babies
might be the next victims.
Lange shook his head. In his experience, there was nothing about
this situation that made it special. In this couples defeated
eyes, there was everything that demanded another solution. He
could feel his game face slipping, the one hed spent years
perfecting. Cops werent supposed to show emotions. Street
survival dictated that, but dammit, he was human. There had to
be some times when you could lay down the shield and open your
heart.
Later, Norcross would describe how Langes voice took on
a soothing tone, how he turned to the man and told him he understood
exactly what the problem was. And that he and his partner were
there to help them work it out and help their family.
They were statements that sparked a glimmer of hope in the mans
eyes--and a muzzle flash of blue death from the womans
gun. The one shed concealed behind her baby....and now
aimed at Langes head.
Her subsequent statement to the Homicide detectives was a simple
one.
She was tired of lies, tired of living in fear, tired of expecting
help that never came.
Cops who swore to serve and protect? A joke, as far as she was
concerned. Everybody knows cops dont feel a thing, and
that sometimes, you have to take matters into your own hands.
© 2002 by Gina Gallo. The Gina Gallo caricature is ©2001
by Jim Hummel. The illustrations are from IMSI'S Master Clips
Collection, 1895 Francisco Blvd. E., San Rafael, CA, 94901-5506,
USA.
|
GINA
GALLO is a former Chicago policewoman, who spent most of her
law enforcement career patrolling some of the meanest streets
in that metropolitan area. Her experiences are documented in
her popular book "Armed and Dangerous." |
You can comment
on this column or contact Gina Gallo with an email to: talkback@thecolumnists.com