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CORRIDOR of MYSTERY

Ron Miller's
 DARK CORRIDORS
VOL. 4, No. 22

 THE 'MYSTERY' SEASON BEGINS

'DEAD GORGEOUS'

 
Fay Ripley, left, and Helen McCrory
dispose of a body

Two unhappy wives
settle with their husbands

By DONNA J. PLESH
of TheColumnists.com

Man trouble--or in this case husband trouble--leads two women along a path that involves them in murder, a cover-up and lies piled upon lies. Oh, there's also a body cooling in a refrigerator.

That's the intriguing premise of "Dead Gorgeous," a drama kicking off the new series of "Mystery!" on PBS on this summer. (The program premiered July 6 on most PBS stations, but check local listings for delayed premiere dates or repeat telecasts in your area.).

"Dead Gorgeous" is based on the novel "On the Edge" by Peter Lovesey, who wrote the "Sergeant Cribb" Victorian detective series that played on "Mystery!" during its first two seasons in the early 1980s.

Unlike the rest of the summer "Mystery!" programs, "Dead Gorgeous" is a two-hour movie rather than a series. It's set in 1946 London, where much of the city is still in
rubble from World War II bombings, and people still must queue up for necessities of life.

By chance, two wartime friends, the glamorous Antonia Ashton (Helen McCrory) and Rose Bell (Faye Ripley) meet on the street. Over tea, the two catch up on their lives since their last meeting. Both are married. Antonia to the wildy rich Hector, a Czech who manufactures refrigerators, and Rose to an RAF hero turned low-rung civil servant. Antonia wants out of her marriage with a pile of Hector's money, so she can live happily ever after with her lover, a college professor. Rose, living with the penny-pinching, philandering Barry, wants out of her loveless marriage, too. But she sees no way to do it.

Offhandedly, Antonia suggests there's a way for them to get out of their marriages. Rose listens, but believes Antonia's just joking. After all, what she is proposing is premeditated murder! Antonia will do away with Barry, and Rose will return the favor by knocking off Hector. It's what you might call a
"Strangers on A Train" plan.

Rose puts Antonia's outlandish plan out of her mind, until a knock on her door changes everything. An insurance agent calls for Barry who, it seems, wants to cash out a life insurance policy. Why, Rose wonders, since Barry never mentioned it to her? Knowing Barry won't tell her a thing, she decides to do a little checking up on him. What she finds out is that Barry needs the insurance money to support a second family.

Suddenly Rose starts thinking a little more seriously about Antonia's plan. Good thing, too, since the next knock on Rose's door is from the police, telling her that Barry has been killed in an "accidental" fall from a crowded train platform. Rose realizes, like it or not, she's involved in Antonia's scheme. Making matters worse, the police and the insurance agent are suspicious about Barry's death and Rose's alibi for the time that it happened. Rose is a nervous wreck, and Antonia is no help. Instead, she forces Rose into helping do away with Hector.

The husbands are gone, but the problems keep adding up for the women: The insurance company reluctantly pays Rose Barry's life insurance money--but the agent makes it clear he feels all is not on the up and up--and a detective keeps snooping into Barry's death, adding to Rose's nervous state.

Then there's the little matter of Hector's body. The women stash it in one of his own refrigerators until they can figure out a way to dispose of it.

"Dead Gorgeous" isn't so much a mystery, since we know "whodunnit," as it is a black comedy. A seemingly simple plan to do away with two husbands becomes as involved as trying to find a way out of one of the great mazes in Britain. You know there's a way out, but you just can't find it.

McCrory, probably best known on these shores for her starring role as
"Anna
Karenina,"
is a perfect fit as Antonia, a woman with a somewhat suspicious past who can pretty much get away with doing what she pleases because she has pots of money to spend. Rose, as portrayed by Ripley, is the more interesting character. Early on, she's a mousy woman who dresses sensibly and would never do anything wrong. But after the hubands have been done away with, her stature and confidence grow. Deep down she might not be completely comfortable with what she and Antonia have done, but she's become more adept at juggling the lies she's been forced to live with in the
wake of the murders.

While nowhere near the greats of past "Mystery!" seasons--
"Prime Suspect" and
"Inspector Morse" to name but a few--"Dead Gorgeous" is still interesting enough to keep this viewer glued to the set wondering if the women, despite their bumbling, will get away with murder. Hint: There's a neat twist at the end.

Next up on "Mystery!" are
"The Mrs. Bradley Mysteries" (July 13-Aug. 3),
"Hetty Wainthropp Investigates" (Aug. 10-Aug. 24), and "The Inspector Lynley
Mysteries"
(Aug. 31-Sept. 21).

©2003 by Donna J. Plesh. The photo is courtesy WGBH Boston.

DONNA J. PLESH is a veteran television critic, formerly on the staff of the Orange County Register in Santa Ana, California. She specializes in mystery programs and is now a regular contributor to Ron Miller's DARK CORRIDORS.

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