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On Television
 DONNA J. PLESH

 HBO'S
"ROME"

“Rome” premieres on HBO
9 p.m. Sunday, Aug. 28

 
CIARAN HINDS AS JULIUS CAESAR

A mighty 12-part miniseries
is HBO's best show in years

By DONNA J. PLESH
of TheColumnists.com

 

Power. Love. Betrayal. Greed. Corruption. Just another episode of “The Sopranos,” right? Wrong. Right network (HBO). Right heritage (Italian). But wrong show.

HBO’s wonderful new 12-part series “Rome” is great drama, great soap opera, great television, and is not to be missed!

The story begins in 52 B.C., when the city was a teeming metropolis of more than a million people. On his way back home after eight long years of fighting and conquering the Gauls, is Gaius Julius Caesar (Ciaran Hinds). Along with his battle-weary soldiers, Caesar is bringing bountiful booty--gold and slaves--for the coffers of Rome.

But all is not well on the homefront. Though popular with the masses, Caesar’s pending return is not welcomed by the senate and members of the aristocracy, who fear he will want to make radical social changes and upset the balance between the “haves” and the “have-nots.” The key to what the senate does lies with Pompey Magnus (Kenneth Cranham), Caesar’s old friend and mentor.

But friendship is thrown aside, when Pompey and the senate decide to prosecute Caesar for war crimes if he enters the city. Realizing they do not have the soldiers needed to keep Caesar from the city, Pompey and his associates (and many of the aristocracy) abandon Rome to re-group and leaving it to Caesar and his soldiers.

Thus the table has been set for the story, much of which is seen through the eyes of two soldiers--the duty-bound family man Lucius Vorenus (Kevin McKidd) and Titus Pullo (Ray Stevenson), whose lives are intertwined with Caesar’s after they successfuly retrieve the unifying symbol of the legions--a golden eagle standard.

Simply put, “Rome” is the best thing to come from HBO since “The Sopranos.” A co-production with the BBC, the drama was filmed on location in Rome on a budget exceeding $100 million. With a cast of mainly British performers, including many familiar to U. S. viewers--Hinds, Polly Walker (”Enchanted April”) as Caesar’s wily niece Atia; James Purefoy (“Vanity Fair”) as Mark Antony; Kenneth Cranham
(“Chocolat”) as Pompey, and Lindsay Duncan (“Under the Tuscan Sun”) as
Caesar’s mistress. Along with the top-notch cast, the first three episodes were directed by feature film director Michael Apted (“Coal Miner’s Daughter”).

Unlike ABC’s early summer “Empire,” “Rome” is not a wishy-washy telling of this most interesting period in history. “Rome” is raw, bloody, earthy and there’s a lot of sex and nudity (both male and female).

Battles are brutal and bloody--heads go flying, limbs are hacked off, and blood gushes in the dirty streets. This is not the nearly pristine-looking Rome most of us probably grew up imagining when we looked at drawings of the city in our history books. When Titus is injured in a street attack, Lucius summons a doctor who performs bloody
surgery on him on Lucius’ kitchen table....including pounding a metal plate into his head to close a wound.

And then there's that sex and nudity--in beds...in baths...on the road. A prime practioner of both is Atia, who uses her body to gain advantages for her family. She’s not particular--she has sex with one man because she wants a horse he has to give to Caesar. She has sex with him again because she wants him to kill her son-in-law. In her
mind, her daughter can make a better match with a husband out of the way. She’s also having it off, as the Brits say, with Mark Antony--her equal in the game of sex. She is, after all, Caeser’s niece and he figures it doesn’t hurt to keep the boss’ kin happy. Atia, on the other hand, sees Antony as husband material and a potential future leade
should Caesar bite the dust.

The scope, color and grandeur of the production are on a par with the great network miniseries of the past, such as ABC’s “The Winds of War.” This is drama that hooks you from the very first scenes of bloody battle between the Roman soldiers and the Gauls, Caesar’s heartbreak at the news his daughter has died, and the cheers of the average citizens of Rome when he marches into the city.

TIDBITS ABOUT 'ROME'

Here are some “Rome” facts or, in other words, what $100 million can get you:

* While some fictional liberties were taken (the addition of the Lucius and Titus characters), series writer Bruno Heller’s compelling stories are rooted in fact. One member of the production team was the former head of the BBC archaelogy department, hired to make sure the scripts are historically authentic.

* “Rome” has a the largest standing set in the world--five acres of backlot and six soundstages at Rome’s fabled Cinecitta studios. The forum set alone is 60 per cent of the size of the original forum.

* Besides the actors and extras, the series employed a crew of 350.

* The first 12 episodes span the time period 52-44 B.C.

* It’s the first English-language series to be shot entirely in a non-English speaking country.

* All of the fabrics used in the costume design and sets are authentic to the ime--wool, linen, cotton and silk. They came from Italy, India, Tunisia and Morocco.

* Prototypes for helmets and other metal costume elements were handmade by a metal designer and replicated in India.

* Forty horses were used in one scene; 750 actors and extras were used in the scene featuring Caesar's triumph; there are 4,000 pieces of wardrobe worn--including 2,500 used in the first three episodes alone; 1,250 pairs of shoes and sandals were made in Bulgaria; the chain-mail tunics worn by soldiers each weigh 36 pounds and were
handmade.

* It took 14 months to film the 12 episodes. And, yes, there are plans
for more episodes if the series does well.


©2005 by Donna J. Plesh. The photo is courtesy of HBO. This column first posted Aug. 22, 2005.

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